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You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results. Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet! And if you are still curious and want to know more about us, why not have a look at our studio page.
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Having a strong audiovisual department on your side makes all the difference!
With GoLocalise you get an experienced and motivated team of professionals that work regularly alongside translation and production companies. We understand the technical requirements necessary to produce perfect foreign language and English voice overs. Our project managers will assist you along the way and we’ll break down the process and present it to you without the big words or technical industry jargon, so you don’t need to worry about the technical aspects and can simply concentrate on growing your business. By working with GoLocalise you’ll be able to offer additional services, i.e., voice over, subtitling and translation to your clients, with a partner who will deliver and on whom you can truly rely.
When working with translation companies we provide easy-to-follow guidelines so that you can provide your own translations for us to “convert” into subtitles, or voice over your translated scripts. Or if you prefer, we can take the entire project off your hands and keep things simple for you – it’ your call! We’re equally used to working with production companies, so we can deliver your translations or subtitles in any language and format of your choice – either burning-in the subtitles onto the video for you, or supplying you with XML or PNG files for you to do yourself – Adobe After Effects and Final Cut Pro ready files.
Don’t leave your important communication to chance. Make sure your message is clearly understood by
your audience and choose GoLocalise for your next voice over project.
We have thousands of passionate and professional voice over artists ready to work with you. No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers.
They will guide you through every step and ensure you understand the process. Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager. From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything. You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio. And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient. To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
We work in English and foreign languages, covering all international markets.
With the wide range of on-demand and online TV channels, we can help take your show, TV series or programme global with the simple addition of an English dialogue track!
Our London dubbing studios offer a full service in script translation and adaptation, casting of the voices, recording and final audio mixing of the shows so that they are ready for broadcast.
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Japanese is anEast Asian language spoken by about 125 million speakers, primarily in Japan, where it is the national language. It is a member of the Japonic (or Japanese-Ryukyuan) language family,whose relation to other language groups, particularly to Koreanand the suggested Altaic language family, is debated.
Little is known of the language’s prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century recorded a few Japanese words, but substantial texts did not appear until the 8th century. During the Heian period (794–1185), Chinese had considerable influence on the vocabulary and phonology of Old Japanese. Late Middle Japanese (1185–1600) saw changes in features that brought it closer to the modern language, as well as the first appearance of European loanwords. The standard dialect moved from the Kansai region to the Edo (modern Tokyo) region in the Early Modern Japanese period (early 17th century–mid-19th century). Following the end in 1853 of Japan’s self-imposed isolation, the flow of loanwords from European languages increased significantly. English loanwords in particular have become frequent, and Japanese words from English roots have proliferated.
Japanese is an agglutinative, mora-timed language with simplephonotactics, a pure vowel system, phonemic vowel and consonant length, and a lexically significant pitch-accent. Word order is normally subject–object–verb with particles marking the grammatical function of words, and sentence structure is topic–comment. Sentence-final particles are used to add emotional or emphatic impact, or make questions. Nouns have no grammatical number or gender, and there are no articles. Verbs areconjugated, primarily for tense and voice, but not person. Japanese equivalents of adjectives are also conjugated. Japanese has a complex system of honorifics with verb forms and vocabulary to indicate the relative status of the speaker, the listener, and persons mentioned.
Japanese has no genetic relationship with Chinese, but it makes extensive use of Chinese characters, or kanji, in its writing system, and a large portion of its vocabulary is borrowed from Chinese. Along with kanji, the Japanese writing system primarily uses two syllabic (or moraic) scripts, hiragana and katakana. Latin script is used in a limited fashion, such as for imported acronyms, and the numeral system uses mostly Arabic numerals alongside traditional Chinese numerals.
Japanese has no official status, but is the de facto national language. There is a form of the language considered standard: hyōjungo, meaning “standard Japanese”, or kyōtsūgo, “common language”. The meaning of the two terms are almost the same. Hyōjungo or kyōtsūgo is a conception that forms the counterpart of dialect. This normative language was born after the Meiji Restoration from the language spoken in the higher-class areas of Tokyo (see Yamanote). Hyōjungo is taught in schools and used on television and even in official communications. It is the version of Japanese discussed in this article.
Formerly, standard Japanese in writing was different from colloquial language. The two systems have different rules of grammar and some variance in vocabulary. Bungo was the main method of writing Japanese until about 1900; since then kōgo gradually extended its influence and the two methods were both used in writing until the 1940s. Bungo still has some relevance for historians, literary scholars, and lawyers (many Japanese laws that survived World War II are still written in bungo, although there are ongoing efforts to modernize their language). Kōgo is the dominant method of both speaking and writing Japanese today, although bungo grammar and vocabulary are occasionally used in modern Japanese for effect.
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