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You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results. Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet! And if you are still curious and want to know more about us, why not have a look at our studio page.
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Having a strong audiovisual department on your side makes all the difference!
With GoLocalise you get an experienced and motivated team of professionals that work regularly alongside translation and production companies. We understand the technical requirements necessary to produce perfect foreign language and English voice overs. Our project managers will assist you along the way and we’ll break down the process and present it to you without the big words or technical industry jargon, so you don’t need to worry about the technical aspects and can simply concentrate on growing your business. By working with GoLocalise you’ll be able to offer additional services, i.e., voice over, subtitling and translation to your clients, with a partner who will deliver and on whom you can truly rely.
When working with translation companies we provide easy-to-follow guidelines so that you can provide your own translations for us to “convert” into subtitles, or voice over your translated scripts. Or if you prefer, we can take the entire project off your hands and keep things simple for you – it’ your call! We’re equally used to working with production companies, so we can deliver your translations or subtitles in any language and format of your choice – either burning-in the subtitles onto the video for you, or supplying you with XML or PNG files for you to do yourself – Adobe After Effects and Final Cut Pro ready files.
Don’t leave your important communication to chance. Make sure your message is clearly understood by
your audience and choose GoLocalise for your next voice over project.
We have thousands of passionate and professional voice over artists ready to work with you. No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers.
They will guide you through every step and ensure you understand the process. Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager. From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything. You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio. And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient. To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
We work in English and foreign languages, covering all international markets.
With the wide range of on-demand and online TV channels, we can help take your show, TV series or programme global with the simple addition of an English dialogue track!
Our London dubbing studios offer a full service in script translation and adaptation, casting of the voices, recording and final audio mixing of the shows so that they are ready for broadcast.
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Vileda have been the market leader in homecare products since 1948, and they wanted to use the creative video you can find on this page to create a viral campaign featuring their latest products. Our client reached out to us asking to use our expertise as an English US voice over agency, and we were more than happy to take on this fun, energetic video and use our English US voice over service experience to localise it for an American audience.
Our skilled linguists translated the video script from the original Italian into English. The brief was to deliver the English US voice over in the style of an American sports commentator, so we delved into our roster of great English US talents to find a number of artists who were up to the job for the client to choose from. With our fantastic sports commentator chosen, we then took to the studio for an English US recording session to record a piece the Super Bowl would be proud of!
Following our client’s requests, we recorded a number of different deliveries in a range of styles and with varying degrees of energy. With some direction help from our sound engineer, our voice over artist produced a performance that really brought the advert to life and could captivate the viewer. Once our sound engineer had finished working on the audio, we sent the completed dialogue mix that matched and complemented the film to our client’s production company to be merged with the video.
The client was delighted with the final product, saying that we had nailed the brief and that the end client would be ecstatic with the results.
American English, or United States (U.S.) English, is the set of dialects of the English language native to the United States. The variety of American English that is considered by many speakers to be the most free from regional, ethnic, or cultural distinctions is the dialect known as General American.
English is the most widely spoken language in the United States. English is the common language used by the federal government and is considered the de facto language of the country because of its widespread use. English has been given official status by 30 of the 50 state governments. As an example, while both Spanish and English have equivalent status in the local courts of the Commonwealth of Puerto Rico, under federal law, English is the official language for any matters being referred to the United States District Court for the territory.
The use of English in the United States is a result of British colonization. The first wave of English-speaking settlers arrived in North America during the 17th century, followed by further migrations in the 18th and 19th centuries. Since then, American English has been influenced by the languages of West Africa, the Native American population, German, Dutch, Irish, Spanish, and other languages of successive waves of immigrants to the U.S.
American English and British English (BrE) often differ at the levels of phonology, phonetics, vocabulary, and, to a much lesser extent, grammar and orthography. The first large American dictionary, An American Dictionary of the English Language, was written by Noah Webster in 1828, codifying several of these spellings.
Differences in grammar are relatively minor, and normally do not affect mutual intelligibility; these include: different use of some verbal auxiliaries; formal (rather than notional) agreement with collective nouns; different preferences for the past forms of a few verbs (for example, AmE/BrE: learned/learnt, burned/burnt, snuck/sneaked, dove/dived) although the purportedly “British” forms can occasionally be seen in American English writing as well; different prepositions and adverbs in certain contexts (for example, AmE in school, BrE at school); and whether or not a definite article is used, in very few cases (AmE to the hospital, BrE to hospital; contrast, however, AmE actress Elizabeth Taylor, BrE the actress Elizabeth Taylor). Often, these differences are a matter of relative preferences rather than absolute rules; and most are not stable, since the two varieties are constantly influencing each other, and American English is not a standardized set of dialects.
Differences in orthography are also minor. The main differences are that American English usually uses spellings such as flavor for British flavour, fiber for fibre, defense for defence, analyze for analyse, catalog for catalogue and traveling for travelling. Noah Webster popularized such spellings in America, but he did not invent most of them. Rather, “he chose already existing options […] on such grounds as simplicity, analogy or etymology”. Other differences are due to the francophile tastes of 19th century Victorian England (for example they preferred programme for program, manoeuvre for maneuver, cheque for check, etc.). AmE almost always uses -ize in words like realize. BrE prefers -ise, but also uses -ize (see Oxford spelling).
There are a few differences in punctuation rules. British English is more tolerant of run-on sentences, called “comma splices” in American English, and American English requires that periods and commas be placed inside closing quotation marks even in cases in which British rules would place them outside. American English also favors the double quotation mark over single.
AmE sometimes favors words that are morphologically more complex, whereas BrE uses clipped forms, such as AmE transportation and BrE transport or where the British form is a back-formation, such as AmE burglarize and BrE burgle (from burglar). However, while individuals usually use one or the other, both forms will be widely understood and mostly used alongside each other within the two systems.
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