You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results. Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet! And if you are still curious and want to know more about us, why not have a look at our studio page.
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Having a strong audiovisual department on your side makes all the difference!
With GoLocalise you get an experienced and motivated team of professionals that work regularly alongside translation and production companies. We understand the technical requirements necessary to produce perfect foreign language and English voice overs. Our project managers will assist you along the way and we’ll break down the process and present it to you without the big words or technical industry jargon, so you don’t need to worry about the technical aspects and can simply concentrate on growing your business. By working with GoLocalise you’ll be able to offer additional services, i.e., voice over, subtitling and translation to your clients, with a partner who will deliver and on whom you can truly rely.
When working with translation companies we provide easy-to-follow guidelines so that you can provide your own translations for us to “convert” into subtitles, or voice over your translated scripts. Or if you prefer, we can take the entire project off your hands and keep things simple for you – it’ your call! We’re equally used to working with production companies, so we can deliver your translations or subtitles in any language and format of your choice – either burning-in the subtitles onto the video for you, or supplying you with XML or PNG files for you to do yourself – Adobe After Effects and Final Cut Pro ready files.
Don’t leave your important communication to chance. Make sure your message is clearly understood by
your audience and choose GoLocalise for your next voice over project.
We have thousands of passionate and professional voice over artists ready to work with you. No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers.
They will guide you through every step and ensure you understand the process. Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager. From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything. You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio. And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient. To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
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South African English (SAfrE, SAfrEng, SAE, en-ZA) is the set of English dialects spoken by South Africans. There is huge social and regional variation within South African English. Three variants (termed “The Great Trichotomy” by Roger Lass) are commonly identified within White South African English (as in Australian English), spoken primarily by White South Africans: “Cultivated”, closely approximating England’s standard Received Pronunciation and associated with the upper class; “General”, a social indicator of the middle class; and “Broad”, associated with the working class, and closely approximating the second-language Afrikaner variety called Afrikaans English. At least two sociolinguistic variants have been definitively studied on a post-creole continuum for the second-language Black South African English spoken by most Black South Africans: a high-end, presitigious “acrolect” and a more middle-ranging, mainstream “mesolect.” Other varieties of South African English include Cape Flats English, originally associated with inner-city Cape Coloured speakers, and the Indian South African English of Indian South Africans. Further offshoots include the first-language English varieties spoken by Zimbabweans, Zambians, Swazilanders and Namibians.
Like English in southern England, such as London, South African English is non-rhotic (except for some Afrikaans-influenced speakers, see below) and features the trap–bath split.
The two main phonological indicators of South African English are the behaviour of the vowels in kit and bath. The kit vowel tends to be “split” so that there is a clear allophonic variation between the close, front [ɪ] and a somewhat more central [ɪ̈]. The bath vowel is characteristically open and back in the General and Broad varieties of SAE. The tendency to monophthongise both /aʊ/ and /aɪ/ to [ɑː] and [aː] respectively, are also typical features of General and Broad SAE.
Features involving consonants include the tendency for voiceless plosives to be unaspirated in stressed word-initial environments, [tj] tune and [dj] dune tend to be realised as [tʃ] and [dʒ] respectively (See Yod coalescence), and /h/ has a strong tendency to be voiced initially.
There are words that do not exist in British or American English, usually derived from languages of Africa such as Afrikaans or Zulu, although, particularly in Durban, there is also an influence from Indian languages and slang developed by subcultures, particularly surfers. Terms in common with North American English include ‘mom’ (most British and Australian English: mum) ‘freeway’ or ‘highway’ (British English ‘motorway’), ‘cellphone’ (British and Australian English: mobile) and ‘buck’ meaning money (rand, in this case, and not a dollar).
One of the most noticeable traits of South African English-speakers is the strong tendency to use the Afrikaans ‘ja’ [=’yes’] in any situation where other English-speakers would say ‘yes’, ‘yeah’ or ‘Well, …’. The parallel is extended to the expression ‘ja-nee’ [literally, ‘yes-no’; indicating a partial agreement or acknowledgement of a point] which becomes ‘Ja, no, …’. Such usage is widely acceptable, although it is understood to be incorrect English and would not be used in strictly formal contexts, such as in court or in a job interview.
South Africans are also known for their irregular use of the word ‘now’. Particularly, ‘just now’ is taken to mean ‘in a while’ or ‘later’ (up to a few hours’ time) rather than ‘this very minute’, for which a South African would say ‘right now’. ‘Now now’ is relatively more immediate, implying a delay of a few minutes to around half an hour. The word ‘just’ also has a looser meaning than in British English when applied to location; expressions such as ‘just there’, or ‘just around the corner’ are not taken to imply a precise point.
Some words peculiar to South African English include ‘takkies’, ‘tackie’ or ‘tekkie’ for sneakers (American) or trainers (British), ‘combi’ or ‘kombi’ for a small van similar to a Volkswagen Kombi, ‘bakkie’ for a pick-up truck, ‘kiff’ for pleasurable, ‘lekker’ for nice, ‘donga’ for gully, ‘robot’ for a traffic light, ‘dagga’ for cannabis, ‘braai’ for barbecue and ‘jol’ for party. South Africans generally refer to the different codes of football, such as soccer and rugby, by those names. There is some difference between South African English dialects: in Johannesburg the local form is very strongly English-based, while its Eastern Cape counterpart has a strong Afrikaans influence. Although differences between the two are sizeable, there are many similarities.
Several South African words, usually from Afrikaans or other indigenous languages of the region, have entered world English: those relating to human activity include apartheid; commando and trek and those relating to indigenous flora and fauna include veld; vlei; spoor; aardvark; impala; mamba; boomslang; meerkat and wildebeest. Recent films such as District 9 have also brought South African and Southern African English to a global audience, as have television personalities like Austin Stevens.
Large numbers of the British diaspora and other South African English speakers now live in Australia, Britain, Canada, New Zealand and some Persian Gulf states and may have influenced their host community’s dialects to some degree. South African English and its slang also has a substantial presence in neighbouring countries like Namibia, Zimbabwe, Botswana and Zambia. English accents vary considerably depending on region and local ethnic influences.
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