You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results. Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet! And if you are still curious and want to know more about us, why not have a look at our studio page.
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Having a strong audiovisual department on your side makes all the difference!
With GoLocalise you get an experienced and motivated team of professionals that work regularly alongside translation and production companies. We understand the technical requirements necessary to produce perfect foreign language and English voice overs. Our project managers will assist you along the way and we’ll break down the process and present it to you without the big words or technical industry jargon, so you don’t need to worry about the technical aspects and can simply concentrate on growing your business. By working with GoLocalise you’ll be able to offer additional services, i.e., voice over, subtitling and translation to your clients, with a partner who will deliver and on whom you can truly rely.
When working with translation companies we provide easy-to-follow guidelines so that you can provide your own translations for us to “convert” into subtitles, or voice over your translated scripts. Or if you prefer, we can take the entire project off your hands and keep things simple for you – it’ your call! We’re equally used to working with production companies, so we can deliver your translations or subtitles in any language and format of your choice – either burning-in the subtitles onto the video for you, or supplying you with XML or PNG files for you to do yourself – Adobe After Effects and Final Cut Pro ready files.
Don’t leave your important communication to chance. Make sure your message is clearly understood by
your audience and choose GoLocalise for your next voice over project.
We have thousands of passionate and professional voice over artists ready to work with you. No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers.
They will guide you through every step and ensure you understand the process. Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager. From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything. You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio. And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient. To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
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British English is the English language as spoken and written in Great Britain or, more broadly, throughout the British Isles.
Slight regional variations exist in formal, written English in the United Kingdom. For example, the adjective wee is almost exclusively used in parts of Scotland and Northern Ireland, whereas little is predominant elsewhere.
Nevertheless, there is a meaningful degree of uniformity in written English within the United Kingdom, and this could be described by the term British English.
The forms of spoken English, however, vary considerably more than in most other areas of the world where English is spoken, so a uniform concept of British English is more difficult to apply to the spoken language.
According to Tom McArthur in the Oxford Guide to World English, British English shares “all the ambiguities and tensions in the word British and as a result can be used and interpreted in two ways, more broadly or more narrowly, within a range of blurring and ambiguity.”
When distinguished from American English, the term “British English” is sometimes used broadly as a synonym for “Commonwealth English”, the general dialect of English spoken amongst the former British colonies exclusive of the particular regionalisms of, for example, Australian English or Canadian English.
English is a West Germanic language that originated from the Anglo-Frisian dialects brought to Britain by Germanic settlers from various parts of what is now northwest Germany and the northern Netherlands.
The resident population at this time was generally speaking Common Brittonic—the insular variety of continental Celtic, which was influenced by the Roman occupation.
This group of languages (Welsh, Cornish, Cumbric) cohabited alongside English into the modern period, but due to their remoteness from the Germanic languages, influence on English was notably limited.
However, the degree of influence remains debated, and it has recently been argued that its grammatical influence accounts for the substantial innovations noted between English and the other West Germanic languages.
Initially, Old English was a diverse group of dialects, reflecting the varied origins of the Anglo-Saxon Kingdoms of England. One of these dialects, Late West Saxon, eventually came to dominate.
The original Old English language was then influenced by two waves of invasion: the first was by speakers of the Scandinavian branch of the Germanic family, who conquered and colonised parts of Britain in the 8th and 9th centuries; the second was the Normans in the 11th century, who spoke Old Norman and ultimately developed an English variety of this called Anglo-Norman.
These two invasions caused English to become “mixed” to some degree (though it was never a truly mixed language in the strictest sense of the word; mixed languages arise from the cohabitation of speakers of different languages, who develop a hybrid tongue for basic communication).
The more idiomatic, concrete and descriptive English is, the more it is from Anglo-Saxon origins. The more intellectual and abstract English is, the more it contains Latin and French influences (e.g. pig is the animal bred by the occupied Anglo-Saxons and pork is the animal eaten by the occupying Normans).
Cohabitation with the Scandinavians resulted in a significant grammatical simplification and lexical enrichment of the Anglo-Frisian core of English; the later Norman occupation led to the grafting onto that Germanic core of a more elaborate layer of words from the Romance branch of the European languages.
This Norman influence entered English largely through the courts and government. Thus, English developed into a “borrowing” language of great flexibility and with a huge vocabulary.
The major divisions are normally classified as English English (or English as spoken in England, which encompasses Southern English dialects, West Country dialects, East and West Midlands English dialects and Northern English dialects), Welsh English (not to be confused with the Welsh language), Irish English and Scottish English (not to be confused with the Scots language).
The various British dialects also differ in the words that they have borrowed from other languages. Following its last major survey of English Dialects (1949–1950), the University of Leeds has started work on a new project. In May 2007 the Arts and Humanities Research Council awarded a grant to a team led by Sally Johnson, Professor of Linguistics and Phonetics at Leeds University, to study British regional dialects.
Johnson’s team are sifting through a large collection of examples of regional slang words and phrases turned up by the “Voices project” run by the BBC, in which they invited the public to send in examples of English still spoken throughout the country.
The BBC Voices project also collected hundreds of news articles about how the British speak English from swearing through to items on language schools.
This information will also be collated and analysed by Johnson’s team both for content and for where it was reported. “Perhaps the most remarkable finding in the Voices study is that the English language is as diverse as ever, despite our increased mobility and constant exposure to other accents and dialects through TV and radio”.
The form of English most commonly associated with the upper class in the southern counties of England is called Received Pronunciation (RP). It derives from a mixture of the Midland and Southern dialects spoken in London in the early modern period and is frequently used as a model for teaching English to foreign learners.
Although speakers from elsewhere in England may not speak with an RP accent, it is now a class dialect more than a local dialect. It may also be referred to as “the Queen’s (or King’s) English“, “Public School English”, “Posh” or “BBC English” as this was originally the form of English used on radio and television, although a wider variety of accents can be heard these days. About 2% of Britons speak RP, and it has evolved quite markedly over the last 40 years.
In the South East there are significantly different accents; the Cockney accent spoken by some East Londoners is strikingly different from RP. The Cockney rhyming slang can be (and was initially intended to be) difficult for outsiders to understand, although the extent of its use is often somewhat exaggerated.
Estuary English has been gaining prominence in recent decades: it has some features of RP and some of Cockney. In London itself, the broad local accent is still changing, partly influenced by Caribbean speech.
Immigrants to the UK in recent decades have brought many more languages to the country. Surveys started in 1979 by the Inner London Education Authority discovered over 100 languages being spoken domestically by the families of the inner city’s schoolchildren. As a result, Londoners speak with a mixture of accents, depending on ethnicity, neighbourhood, class, age, upbringing, and sundry other factors.
Since the mass internal immigration to Northamptonshire in the 1940s and its position between several major accent regions, it has become a source of various accent developments. In Northampton the older accent has been influenced by overspill Londoners.
There is an accent known locally as the Kettering accent, which is a transitional accent between the East Midlands and East Anglian. It is the last southern midland accent to use the broad “a” in words like bath/grass (i.e. barth/grarss). Conversely crass/plastic use a slender “a”.
A few miles northwest in Leicestershire the slender “a” becomes more widespread generally. In the town of Corby, five miles (8 km) north, one can find Corbyite, which unlike the Kettering accent, is largely influenced by the West Scottish accent.
In addition, most British people can to some degree temporarily “swing” their accent towards a more neutral form of English at will, to reduce difficulty where very different accents are involved, or when speaking to foreigners.
As with English around the world, the English language as used in the United Kingdom is governed by convention rather than formal code: there is no body equivalent to the Académie française or the Real Academia Española.
Dictionaries (for example, Oxford English Dictionary, Longman Dictionary of Contemporary English, Chambers Dictionary, Collins Dictionary) record usage rather than attempting to prescribe it. In addition, vocabulary and usage change with time: words are freely borrowed from other languages and other strains of English, and neologisms are frequent.
For historical reasons dating back to the rise of London in the 9th century, the form of language spoken in London and the East Midlands became standard English within the Court, and ultimately became the basis for generally accepted use in the law, government, literature and education in Britain.
To a considerable extent, modern British spelling was standardised in Samuel Johnson’s A Dictionary of the English Language (1755), although previous writers had also played a significant role in this and much has changed since 1755. Scotland, which underwent parliamentary union with England only in 1707, still has a few independent standards, especially within its separate legal system.
Since the early 20th century, British authors have produced numerous books intended as guides to English grammar and usage, a few of which have achieved sufficient acclaim to have remained in print for long periods and to have been reissued in new editions after some decades.
These include, most notably of all, Fowler’s Modern English Usage and The Complete Plain Words by Sir Ernest Gowers. Detailed guidance on many aspects of writing British English for publication is included in style guides issued by various publishers including The Times newspaper, the Oxford University Press and the Cambridge University Press.
The Oxford University Press guidelines were originally drafted as a single broadsheet page by Horace Henry Hart, and were at the time (1893) the first guide of their type in English; they were gradually expanded and eventually published, first as Hart’s Rules, and in 2002 as part of The Oxford Manual of Style.
Comparable in authority and stature to The Chicago Manual of Style for published American English, the Oxford Manual is a fairly exhaustive standard for published British English that writers can turn to in the absence of specific guidance from their publishing house.
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