You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results. Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet! And if you are still curious and want to know more about us, why not have a look at our studio page.
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Having a strong audiovisual department on your side makes all the difference!
With GoLocalise you get an experienced and motivated team of professionals that work regularly alongside translation and production companies. We understand the technical requirements necessary to produce perfect foreign language and English voice overs. Our project managers will assist you along the way and we’ll break down the process and present it to you without the big words or technical industry jargon, so you don’t need to worry about the technical aspects and can simply concentrate on growing your business. By working with GoLocalise you’ll be able to offer additional services, i.e., voice over, subtitling and translation to your clients, with a partner who will deliver and on whom you can truly rely.
When working with translation companies we provide easy-to-follow guidelines so that you can provide your own translations for us to “convert” into subtitles, or voice over your translated scripts. Or if you prefer, we can take the entire project off your hands and keep things simple for you – it’ your call! We’re equally used to working with production companies, so we can deliver your translations or subtitles in any language and format of your choice – either burning-in the subtitles onto the video for you, or supplying you with XML or PNG files for you to do yourself – Adobe After Effects and Final Cut Pro ready files.
Don’t leave your important communication to chance. Make sure your message is clearly understood by
your audience and choose GoLocalise for your next voice over project.
We have thousands of passionate and professional voice over artists ready to work with you. No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers.
They will guide you through every step and ensure you understand the process. Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager. From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything. You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio. And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient. To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
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Scottish Gaelic, sometimes also referred to as Gaelic, is a Celtic language native toScotland. A member of the Goidelic branch of the Celtic languages, Scottish Gaelic, like Modern Irish and Manx, developed out of Middle Irish, and thus is ultimately descended from Old Irish.
The 2011 census of Scotland showed that a total of 57,375 people (1.1% of the Scottish population aged over three years old) in Scotland could speak Gaelic at that time, with the Outer Hebrides being the main stronghold of the language. The census results indicate a decline of 1,275 Gaelic speakers from 2001. A total of 87,056 people in 2011 reported having some facility with Gaelic compared to 93,282 people in 2001, a decline of 6,226.Despite this decline, revival efforts exist and the number of speakers of the language under age 20 has increased.
Scottish Gaelic is not an official language of the European Union or the United Kingdom. However, it is classed as anIndigenous language under the European Charter for Regional or Minority Languages, which the British government has ratified, and the Gaelic Language (Scotland) Act 2005 established a language development body, Bòrd na Gàidhlig, “with a view to securing the status of the Gaelic language as an official language of Scotland.
Outside Scotland, a dialect known as Canadian Gaelic is spoken in parts of Eastern Canada. In 2011, there were approximately 1,500 Gaelic-speakers in Canada with the vast majority in the province of Nova Scotia. About 350 Canadians in 2011 claimed Gaelic as their “mother tongue”.
Aside from “Scottish Gaelic”, the language may also be referred to simply as “Gaelic”. In Scotland, the word “Gaelic” in reference to Scottish Gaelic specifically is pronounced [ˈɡalɪk], while outside Scotland it is often pronounced /ˈɡeɪlɨk/. Outside Ireland and Great Britain, “Gaelic” may refer to the Irish language.
Scottish Gaelic should not be confused with Scots, the English-derivedlanguage varieties which had come to be spoken in most of theLowlands of Scotland by the early modern era. Prior to the 15th century, these dialects were known as Inglis (“English”) by its own speakers, with Gaelic being called Scottis (“Scottish”). From the late 15th century, however, it became increasingly common for such speakers to refer to Scottish Gaelic as Erse (“Irish”) and the Lowland vernacular as Scottis. Today, Scottish Gaelic is recognised as a separate language from Irish, so the word Erse in reference to Scottish Gaelic is no longer used.
Many historians mark the reign of King Malcom Canmore (Malcolm III) as the beginning of Gaelic’s eclipse in Scotland. In either 1068 or 1070, the king married the exiled Princess Margaret of Wessex. This future Saint Margaret of Scotland was a member of the royal House of Wessex which had occupied the English throne from its founding until the Norman Conquest. Margaret was thoroughly Anglo-Saxon and is often credited (or blamed) for taking the first significant steps in anglicizing the Scottish court. She spoke no Gaelic, gave her children Anglo-Saxon rather than Gaelic names, and brought many English bishops, priests, and monastics to Scotland. Her family also served as a conduit for the entry of English nobles into Scotland. When both Malcolm and Margaret died just days apart in 1093, the Gaelic aristocracy rejected their anglicized sons and instead backed Malcolm’s brother Donald as the next King of Scots. Known as Donald Bàn (“the Fair”), the new king had lived 17 years in Ireland as a young man and his power base as an adult was in the thoroughly Gaelic west of Scotland. Upon Donald’s ascension to the throne, in the words of the Anglo-Saxon Chronicle, “the Scots drove out all the English who had been with King Malcolm”. Malcolm’s sons fled to the English court, but in 1097 returned with an Anglo-Norman army backing them. Donald was overthrown, blinded, and imprisoned for the remaining two years of his life. Because of the strong English ties of Malcolm’s sons Edgar, Alexander, and David – each of whom became king in turn – Donald Bàn is sometimes called the ‘last Celtic King of Scotland’. He was last Scottish monarch to be buried on Iona, the one-time center of the Scottish Gaelic Church and the traditional burial place of the Gaelic Kings of Dàl Riada and the Kingdom of Alba.
During the reigns of the sons of Malcolm Canmore (1097-1153), Anglo-Norman names and practices spread throughout Scotland south of the Forth-Clyde line and along the northeastern coastal plain as far north as Moray. Norman French became dominant among the new feudal aristocracy, especially in southern Scotland, and completely displaced Gaelic at court. The establishment of royal burghs throughout the same area, particularly under David I, attracted large numbers of foreigners speaking ‘Inglis’, the language of the merchant class. This was the beginning of Gaelic’s status as a predominantly rural language in Scotland. The country experienced significant population growth in the 1100s and 1200s in the expanding burghs and their nearby agricultural districts. These economic developments surely helped spread English as well.
Gaelic still retained some of its old prestige in medieval Scotland. At the coronation of King Alexander III in 1249, a traditional seanchaidh or story-teller recited the king’s full genealogy in Gaelic all the way back toFergus Mòr, the mythical progenitor of the Scots in Dál Riata, “in accordance with the custom which had grown up in the kingdom from antiquity right up to that time”. Clan chiefs in the northern and western parts of Scotland continued to support Gaelic bards who remained a central feature of court life there. The semi-independent Lordship of the Isles in the Hebrides and western coastal mainland remained thoroughly Gaelic since the language’s recovery there in the 12th century, providing a political foundation for cultural prestige down to the end of the 15th century.
That being said, it seems clear that Gaelic had ceased to be the language of Scotland by 1400 at the latest. It disappeared from the central lowlands by c1350 and from the eastern coastal lowlands north of the Mounth not long afterwards. By the mid-1300s English in its Scottish form – what eventually came to be called Scots—emerged as the official language of government and law. Scotland’s emergent nationalism in the era following the conclusion of the Wars of Scottish Independence was organized using Scots as well. For example, the nation’s great patriotic literature including John Barbour’s The Brus (1375) and Blind Harry’s The Wallace(bef. 1488) was written in Scots, not Gaelic. It was around this time that the very name of Gaelic began to change. Down through the 14th century, Gaelic was referred to in English as ‘Scottis’, i.e. the language of the Scots. By the end of the 15th century, however, the Scottish dialect of Northern English had absorbed that designation. English/Scots speakers referred to Gaelic instead as ‘Yrisch’ or ‘Erse’, i.e. Irish. King James IV(d. 1513) thought Gaelic important enough to learn and speak. However, he was the last Scottish monarch to do so.
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