You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results.
Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet!
And if you are still curious and want to know more about us, why not have a look at our Team or Awards pages.
GoLocalise offers transcription services for audio and video files in over 100 languages including English. Our expert team of transcribers will create a text version of your video or audio file, and we can also translate and/or voice over your transcript.
There are different variations of this service, all of which will result in a text document containing the dialogue from the source audio or video file:
This will include absolutely everything that is part of the footage, such as “ums, uhs”, false starts, noise words, any sounds, etc. The transcriber will also leave the speech as it is, even in the case of incorrect phrase or language selection, colloquialisms and poor grammar.
This type of transcription will only include the speech, but the transcriber will leave out any redundant or unnecessary elements such as nervous stutters, false starts, etc. The speech will however stay the same and will not be edited.
With this type of transcription, the style will be “written” more than “spoken”. Any grammar or syntax errors will be corrected in the process, and the text will read well and be grammatically correct.
We specialise in transcriptions that will be used as voice over scripts, (on-screen) captions and subtitles. Our experience in these fields has made us the top choice for clients all over the world who want to re-version their existing audiovisual content into several different language versions.
Transcriptions can be used for different purposes – as a script for a voice over session, or as reference when editing raw footage for example. We can also produce a time-coded and condensed version of the transcription that can be used for subtitling purposes.
No matter if your content is in English or any other language, we can help!
When localising and translating videos (whether you choose subtitling or voice over), you’ll find that often there are several elements that need to be localised. These elements can be on-screen graphics, text and/or captions.
Our expert project managers will review the video or project file and advise which elements would be best subtitled or graphically edited. If you do not have the project files, worry not; one of our expert editors will be able to re-create the graphics, captions and titles of your video.
Our expert editors work with a multitude of software: to localise graphics we use Photoshop or Illustrator; and After Effects and Final Cut Pro to create motion graphics and visual effects.
Once all elements are in the video, and the graphic elements have been created and localised, we can then rebuild the video and export it to whichever format and codec you need. We’ll prepare your video project for any platform, including PAL, NTSC, VOD, the Internet, smartphones, game consoles, mp3 players and tablets.
With our facilities and highly skilled operators, your videos are in safe hands!
Simply enter your details below to get your free quote from our expert team.
We use continuous quality control processes to monitor quality and accuracy at each and every stage of a translation project.
Translators are screened not only for linguistic ability but also for technical knowledge. Applicants must pass interviews and rigorous subject-specific language tests. Furthermore all our translators have at least five years experience in their sector.
Each translated document is edited by a second translator to ensure accuracy and to address any linguistic issues. Again, the work is assigned to a specialist according to subject matter.
At GoLocalise, the translation process goes one step further with a final quality assurance step. A third translator revises the document to verify that editing changes and formatting have been properly implemented, and that there are no omissions or typographical errors. Every translation is checked word for word against the original and any changes that are required are made to ensure that the correct terminology is used consistently throughout the text.
At GoLocalise nothing is too much hassle! The expert team of project managers, translators and linguists are always at hand to ensure your content is perfectly localised – whatever the media. You’ll benefit from a company with over 15 years' experience, an in-house subtitling team, and in-house state-of-the-art recording facilities!
AVT requires some of the same skills as general translation but also poses additional challenges. In subtitling for instance, the translator must fit the translation into the time and space constraints posed by the video; whilst in voice over the length of the translation must be considered and match the original as closely as possible. And these are just a few examples.
AVT is certainly no easy task and it takes a team of experienced professionals to do it well. This is where we can help you. We are highly specialised in AVT, so you can trust us to deliver products which look good, sound great and are perfectly suited to your target audience, all in your preferred format.
We look after every single detail when localising games into foreign languages and always use the latest glossaries for all the current video game platforms, Wii, PlayStation, Xbox, etc. so that terminology and platform word choices are always spot-on.
We only employ highly skilled linguists who have extensive experience in e-learning and a sound understanding of the particular industry sector they are dealing with.
Our service includes the management of the whole process and the delivery of content adapted to foreign markets.
The steps and services involved in any end-to-end e-learning project are: the translation of the course and on-screen text; the localisation of the course graphics; the voice over recording of the course with your preferred voice over talent/s; and the quality control during which the localised course files are reviewed against the original files.
Dari (Persian) is the variety of the Persian language spoken in Afghanistan. Dari is the term officially recognized and promoted since 1964 by the Afghan government for the Persian language. Hence, it is also known as Afghan Persian in many Western sources. As defined in the Constitution of Afghanistan, it is one of the two official languages of Afghanistan; the other is Pashto. Dari is the most widely spoken language in Afghanistan and the native language of approximately 25–50% of the population, serving as the country’s lingua franca. The Iranian and Afghan types of Persian are mutually intelligible, with differences found primarily in the vocabulary and phonology.
Originally, Dari was the name given to the Old Persian language at a very early date and widely attested in Arabic and Persian texts since the 10th century. By way of Early New Persian, Dari Persian, like Iranian Persian and Tajik, is a continuation of Middle Persian, the official religious and literary language of the Sassanian Empire (224–651 CE), itself a continuation of Old Persian, the language of the Achaemenids (550–330 BC). In historical usage, Dari refers to the Middle Persian court language of the Sassanids.
Dari is a name given to the New Persian language at a very early date and widely attested in Arabic and Persian texts since the 10th century. Since 1964, it has been the official name in Afghanistan for the Persian spoken there. In Afghanistan, Dari refers to a modern dialect form of Persian that is the standard language used in administration, government, radio, television, and print media. Because of a preponderance of Dari native speakers, who normally refer to the language as Fārsi (فارسی; “Persian”), it is also known as “Afghan Persian” in some Western sources. Dari, spoken in Afghanistan, should not be confused with Dari or Gabri of Iran, a language of the Central Iranian sub-group, spoken in some Zoroastrian communities.
Dari, which is sometimes called Farsi (Persian), is one of the two official languages of Afghanistan (the other being Pashto). In practice though, it serves as the de facto lingua franca among the various ethno-linguistic groups. Dari is spoken natively by about twenty-five per cent to one-third of the population of Afghanistan as a first language. Tajiks who comprise approximately 27% of the population are the primary speakers, followed by Hazaras (9%) and Aymāqs (4%). Moreover, many Pashtuns living in Tajik and Hazara concentrated areas also use Dari as a first language. The World Factbook states that 50% of the Afghan population speaks Dari language. About 2.5 million Afghans in Iran and Afghans in Pakistan, part of the wider Afghan diaspora, also speak Dari as one of their primary languages.
Dari dominates the northern, western and central areas of Afghanistan, and is the common language spoken in cities such as Mazar-i-Sharif, Herat, Fayzabad, Panjshir, Bamiyan, and the Afghan capital of Kabul where all ethnic groups are settled. Dari-speaking communities also exist in south-western and eastern Pashtun-dominated areas such as in the cities of Ghazni, Farah, Zaranj, Lashkar Gah, Kandahar, and Gardez.
Dari has contributed to the majority of Persian borrowings in other Asian languages, such as Hindustani, Punjabi, Bengali, etc., as it was the administrative, official, cultural language of the Persocentric Mughal Empire and served as the lingua franca throughout the South Asian subcontinent for centuries. Often based in Afghanistan, Turkic Central Asian conquerors brought the language into South Asia. The basis in general for the introduction of Persian language into the subcontinent was set, from its earliest days, by various Persianized Central Asian Turkic and Afghan dynasties. The sizable Persian component of the Anglo-Indian loan words in English and in Urdu therefore reflects the Dari pronunciation. For instance, the words dopiaza and pyjama come from the Dari pronunciation; in the Iranian Persian they are pronounced do-piyāzeh and pey-jāmeh. Persian lexemes and certain morphological elements (e.g., the ezāfe) have often been employed to coin words for political and cultural concepts, items, or ideas that were historically unknown outside the South Asian region, as is the case with the aforementioned “borrowings”. The Dari language has a rich and colourful tradition of proverbs that deeply reflect Afghan culture and relationships, as demonstrated by U.S. Navy Captain Edward Zellem in his bilingual books on Afghan Dari proverbs collected in Afghanistan.