GoLocalise offers Croatian transcription services for audio and video files for business and individual purposes. Our expert team of transcribers will create a text version of your video or audio file, and we can also translate and/or voice over your transcript.
We are your reliable Croatian transcription company!
No, this isn’t a trick question and you might be surprised how many people get this wrong. In simple terms, transcription is the process of listening to audiovisual content and writing down what is heard.
Seems simple enough, so what exactly is the part that confuses people?
We used GoLocalise to voice several of our films in Vietnamese. The service was friendly and professional. Being able to attend the recording sessions gave me confidence; the sound engineer had taken a lot of time to familiarise himself with our films and scripts, and the voice talents were incredibly competent and good at adapting to any changes in the scripts as we recorded. The whole process was incredibly smooth and I felt in safe hands.
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Many people confuse transcription with translation.
If you need a text version of your audiovisual content in a language which is different to the original language of your source material then you need translation (which, by the way, we can also help you with).
If you’re simply in need of a written transcript in the same language as your original audiovisual materials, that is transcription and you’re in the right place.
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The answer to that is that many people confuse transcription with translation. If you need a text version of your audiovisual content in a language which is different to the original language of your source material then you need translation (which, by the way, we can also help you with).
If you’re simply in need of a written transcript in the same language as your original audiovisual materials, that is a transcription service and you’re in the right place.
Yes, and no. GoLocalise specialises in anything audiovisual so of course if you’re in need of a full subtitling service we can absolutely help with that too, and in fact transcription is an integral part of the process when creating a same-language subtitle file.
The main difference here would be that subtitling also requires very precise technological know-how so that the resultant subtitles follow subtitling conventions and don’t prove to be distracting to the viewer.
A transcription by default won’t necessarily follow these guidelines and is better suited for other purposes, such as the ones listed above.
So, whatever your reason for transcribing your audio or video content in Croatian, we’re happy to help.
Whether it’s to make your Croatian podcast more accessible to people with hearing impairments, for use as a starting point for a video localisation project, or for any other reason, our experience in these fields has made us the top choice for clients all over the world who want to get more out of their audiovisual content.
Our transcriptionists specialise transcribing Croatian content, but also other audiovisual content from many other languages, consistently ensuring high-quality results.
Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results
Every single detail will be analysed, studied and looked after so that you do not need to worry.
Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet!
And if you are still curious and want to know more about us, why not have a look at our studio page.
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Don’t leave your important communication to chance. Make sure your message is clearly understood by your audience and choose GoLocalise for your next voice over project. Check out our latest case studies.
We have thousands of passionate and professional voice over artists ready to work with you. Meet some of them in our blog stories.
No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers. They will guide you through every step and ensure you understand the process.
Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager.
From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything.
You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over agency!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio.
And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient.
To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
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Croatian is the standardized variety of the Serbo-Croatian language used by Croats, principally in Croatia, Bosnia and Herzegovina, the Serbian province of Vojvodina and other neighbouring countries. It is the official and literary standard of Croatia and one of the official languages of the European Union. Croatian is also one of the official languages of Bosnia and Herzegovina and neighbouring countries.
Standard Croatian is based on the most widespread dialect of Serbo-Croatian, Shtokavian, more specifically on Eastern Herzegovinian, which is also the basis of Standard Serbian, Bosnian, and Montenegrin. In the mid-18th century, the first attempts to provide a Croatian literary standard began on the basis of the Neo-Shtokavian dialect that served as a supraregional lingua franca pushing back regional Chakavian, Kajkavian, and Shtokavian vernaculars. The decisive role was played by Croatian Vukovians, which cemented the usage of Ijekavian Neo-Shtokavian as the literary standard in the late 19th and the beginning of the 20th century, as well as designed a phonological orthography. Croatian is written in Gaj’s Latin alphabet.
Ethnic Croats speak all other Serbo-Croatian dialects besides the Shtokavian dialect on which Standard Croatian is based (Chakavian, Kajkavian, and Torlakian (by the Krashovani)). These four dialects, and the four national standards, are usually subsumed under the term “Serbo-Croatian” in English, though this term is controversial for native speakers, and paraphrases such as “Bosnian-Croatian-Montenegrin-Serbian” are therefore sometimes used instead, especially in diplomatic circles.
In the late medieval period up to the 17th century, the majority of semi-autonomous Croatia was ruled by two domestic dynasties of princes (banovi), the Zrinski and the Frankopan, which were linked by inter-marriage. Toward the 17th century, both of them attempted to unify Croatia both culturally and linguistically, writing in a mixture of all three principal dialects (Chakavian, Kajkavian and Shtokavian), and calling it “Croatian”, “Dalmatian”, or “Slavonian”. It is still used now in parts of Istria, which became a crossroads of various mixtures of Chakavian with Ekavian/Ijekavian/Ikavian dialects.
The most standardized form (Kajkavian–Ikavian) became the cultivated language of administration and intellectuals from the Istrian peninsula along the Croatian coast, across central Croatia up into the northern valleys of the Drava and the Mura. The cultural apex of this 17th century idiom is represented by the editions of “Adrianskoga mora sirena” (“Siren of Adriatic Sea”) by Petar Zrinski and “Putni tovaruš” (“Traveling escort”) by Katarina Zrinska.
However, this first linguistic renaissance in Croatia was halted by the political execution of Petar Zrinski and Fran Krsto Frankopan by the Holy Roman Emperor Leopold I in Vienna in 1671. Subsequently the Croatian elite in the 18th century gradually abandoned this combined Croatian standard.
The Illyrian movement was a 19th-century pan-South Slavic political and cultural movement in Croatia that had the goal to standardize the regionally differentiated and orthographically inconsistent literary languages in Croatia, and finally merge them into a common South Slavic literary language. Specifically, three major groups of dialects were spoken on Croatian territory, and there had been several literary languages over four centuries. The leader of the Illyrian movement Ljudevit Gaj standardized the Latin alphabet in 1830–1850 and worked to bring about a standardized orthography. Although based in Kajkavian-speaking Zagreb, Gaj supported using the more populous Neo-Shtokavian – a version of Shtokavian that eventually became the predominant dialectal basis of both Croatian and Serbian literary language from the 19th century on. Supported by various South Slavic proponents, Neo-Shtokavian was adopted after an Austrian initiative at the Vienna Literary Agreement of 1850, laying the foundation for the unified Serbo-Croatian literary language. The uniform Neo-Shtokavian then became common in the Croatian elite.
In the 1860s, the Zagreb Philological School dominated the Croatian cultural life, drawing upon linguistic and ideological conceptions advocated by the members of the Illyrian movement. While it was dominant over the rival Rijeka Philological School and Zadar Philological Schools, its influence waned with the rise of the Croatian Vukovians (at the end of the 19th century).