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You deserve the best! Leave your project to the experts at GoLocalise so that you can relax and be assured of getting top-notch results. Every single detail will be analysed, studied and looked after so that you do not need to worry. Some would say it’s not too classy to blow our own trumpet… but we just like to point out two very important details.
We have achieved ISO 9001 Quality Management certification in recognition of our consistent performance and high standards, and ISO 14001 Environmental Management because we care about our planet! And if you are still curious and want to know more about us, why not have a look at our studio page.
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Having a strong audiovisual department on your side makes all the difference!
With GoLocalise you get an experienced and motivated team of professionals that work regularly alongside translation and production companies. We understand the technical requirements necessary to produce perfect foreign language and English voice overs. Our project managers will assist you along the way and we’ll break down the process and present it to you without the big words or technical industry jargon, so you don’t need to worry about the technical aspects and can simply concentrate on growing your business. By working with GoLocalise you’ll be able to offer additional services, i.e., voice over, subtitling and translation to your clients, with a partner who will deliver and on whom you can truly rely.
When working with translation companies we provide easy-to-follow guidelines so that you can provide your own translations for us to “convert” into subtitles, or voice over your translated scripts. Or if you prefer, we can take the entire project off your hands and keep things simple for you – it’ your call! We’re equally used to working with production companies, so we can deliver your translations or subtitles in any language and format of your choice – either burning-in the subtitles onto the video for you, or supplying you with XML or PNG files for you to do yourself – Adobe After Effects and Final Cut Pro ready files.
Don’t leave your important communication to chance. Make sure your message is clearly understood by
your audience and choose GoLocalise for your next voice over project.
We have thousands of passionate and professional voice over artists ready to work with you. No matter the type of voice you are looking for, we’ll either have it in our books or find it and source it for you. We’ll organise a casting and ensure you get the perfect voice to suit your needs.
You will also benefit from having your own dedicated project manager – a single point of contact – to guide you through your project, answer any questions you may have and make things a whole lot easier.
Your project will be in the safe hands of one of our multilingual project managers.
They will guide you through every step and ensure you understand the process. Our industry has a tendency to use lots of technical jargon but your dedicated project manager will be on-hand to untangle the mess and explain all you need to know to ensure you only pay for what you need.
If you need help in choosing the right voice over talent to deliver your message then just ask your project manager. From booking our voice over recording studios to ensuring you project is delivered on time in your chosen media, relax and let your experienced project manager take care of everything. You will receive unparalleled attention to detail and customer focus at competitive prices. You’ll wish everything was as easy as a GoLocalise voice over!
Your most discerning customers will thank you for choosing our modern state-of-the-art recording studios. Every detail has been carefully thought through for your comfort, leaving you to simply focus on what matters most – the voice over session.
Your recordings will sound beautiful and crystal clear thanks to our high-end studio sound-proofing and audio equipment, i.e. ProTools HD and Neumann microphones.
Maximise your budget by reducing the need for retakes with the help of our experienced in-house sound engineers who will professionally capture and edit your audio. And for those recordings in languages which neither you nor your client speak, we’ll bring a qualified pro to your session to add that essential ingredient. To make you feel right at home, we provide high-speed Wi-Fi Internet and air-con is available. And last but not least, we have the biggest cookie jar you’ve ever seen, that’ll make your custom brew taste even sweeter!
We work in English and foreign languages, covering all international markets.
With the wide range of on-demand and online TV channels, we can help take your show, TV series or programme global with the simple addition of an English dialogue track!
Our London dubbing studios offer a full service in script translation and adaptation, casting of the voices, recording and final audio mixing of the shows so that they are ready for broadcast.
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The Burmese language is the official languageof Myanmar. Although the Constitution of Myanmarofficially recognizes the English name of the language as the Myanmar language, most English speakers continue to refer to the language as Burmese.
Burmese is spoken as a first language by 32 million, primarily the Bamar people and related sub-ethnic groups, and as a second language by 10 million, particularly ethnic minorities in Myanmar and neighboring countries like the Mon.
Burmese is a tonal, pitch-register, and syllable-timed language, largely monosyllabic and analytic language, with a subject–object–verb word order. It is a member of the Lolo-Burmese grouping of the Sino-Tibetan language family. The Burmese alphabet, which was derived from theMon script, one of the Brahmic scripts that was adopted for Southeast Asian languages due to Indian influence.
Burmese belongs to the Southern Burmish branch of the Sino-Tibetan languages. Burmese is the most widely spoken of the non-Sinitic Sino-Tibetan languages. Burmese was the fifth of the Sino-Tibetan languages to develop a writing system, after Chinese characters, the Pyu script, theTibetan alphabet and the Tangut script.
The Burmese alphabet consists of 33 letters and 12 vowels, and is written from left to right. It requires no spaces between words, although modern writing usually contains spaces after each clause to enhance readability. Characterized by its circular letters and diacritics, the script is an abugida, with all letters having an inherent vowel အa. [a̰] or [ə]. The consonants are arranged into six consonant groups (called ဝဂ် based on articulation, like other Brahmi scripts. Tone markings and vowel modifications are written as diacritics placed to the left, right, top, and bottom of letters.
The development of the script followed that of the language, which is generally divided into Old Burmese, Middle Burmese and modern Burmese. Old Burmese dates from the 11th to the 16th century (Pagan and Ava dynasties); Middle Burmese from the 16th to the 18th century (Toungoo to early Konbaung dynasties); modern Burmese from the mid-18th century to the present. Orthographic changes followed shifts in phonology (such as the merging of the [-l-] and [-ɹ-]medials) rather than transformations in Burmese grammatical structure and phonology, which has not changed much from Old Burmese to modern Burmese. For example, during the Pagan era, the medial [-l-] ္လ was transcribed in writing, which has been replaced by medials [-j-] ျ and [-ɹ-] ြin modern Burmese (e.g. “school” in old Burmese က္လောင် [klɔŋ] → ကျောင်း [tɕáʊɴ] in modern Burmese). Likewise written Burmese has preserved all nasalized finals [-n, -m, -ŋ], which have merged to [-ɴ] in spoken Burmese. (The exception is [-ɲ], which, in spoken Burmese, can be one of many open vowels [i, e, ɛ].
Written Burmese dates to the early Pagan period. The British colonial period scholars believed that the Burmese script was developed c. 1058 from the Mon script. However, evidence shows that the Burmese script has been in use at least since 1035 (perhaps as early as 984) while the earliest Burma Mon script, which is different from the Thailand Mon script, dates to 1093. The Burmese script may have been sourced from the Pyu script. (Both Mon and Pyu scripts are derivatives of the Brahmi script.) Burmese orthography originally followed a square format but the cursive format took hold from the 17th century when popular writing led to the wider use of palm leaves and folded paper known as parabaiks ပုရပိုက်. Much of the orthography in written Burmese today can be traced back to Middle Burmese. Standardized tone marking was not achieved until the 18th century. From the 19th century onward, orthographers created spellers to reform Burmese spelling, because ambiguities arose over spelling sounds that had been merged. During British colonial rule, Burmese spelling was standardized through dictionaries and spellers. The latest spelling authority, named the Myanma Salonpaung Thatpon Kyan မြန်မာ စာလုံးပေါင်း သတ်ပုံ ကျမ်း, was compiled in 1978 at the request of the Burmese government.
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